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"Then I will sing you a song I was sent last week," says Mona, and forthwith sings him "Years Ago," mournfully, pathetically, and with all her soul, as it should be sung. Then she gives him "London Bridge," and then "Rose-Marie," and then she takes her fingers from the piano and looks at him with a fond hope that he will see fit to praise her work. There is relief in the thought. She springs from her bed, clothes herself rapidly, and descends to the breakfast room. Yet the day thus begun appears to her singularly unattractive. Her mind is full of care. She has persuaded Geoffrey to keep silence about all that last night produced, and wait, before taking further steps. But wait for what? She herself hardly knows what it is she hopes for. "Very uncomfortable for you, I fear, after your long ride," says Mona, coldly but courteously. "Why don't you go into the parlor? I am sure you will find it pleasanter there.".
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tells himself that all may yet be right betwixt him and his love. "Were you? I have forgotten it," replies she, smiling happily, the color coming back to her cheeks. Whereupon Paul Rodney's brows contract, and with a muttered curse he turns aside and leaves the room, and then the house, without another word or backward glance. "Then you didn't go out much in Ireland?" she says, thinking it more graceful to change the conversation at this point. He had left Mona in the morning at the Grosvenor, and had run down to have it out with his mother and get her permission to bring Mona to the Towers to be introduced to her and his brothers. This he preferred to any formal calling on their parts..
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